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Annalize Mouton
Author of "Stanford, Portrait of a Village"



Nosy Rosy has a brand new Book choice column and this month I would love to tell you more about the remarkable woman who gave us Stanford, Portrait of a Village.

International spotlight on Stanford

“Each issue of Village Life is a hymn and ‘feel good’ poem,” wrote none other than Hennie Aucamp, well-known Afrikaans author.

The publication he refers to was started as a village newspaper in Stanford in 2003 and has grown into a bi-monthly journal that focuses on South African people, nature, history and arts.

Husband-and-wife team Maré and Annalize Mouton has with Village Life not only created a publication that highlights the richness of our diverse country, but Annalize went a step further and created a book that has attracted attention both by local reviewers and overseas.

Stanford 150, Portrait of a Village, was launched in February this year and Annalize’s unique style of capturing natural light and the essence of her subjects, resulted in an invitation from people in the Netherlands to have her photos, which have been likened to the painting style of the great Dutch masters, exhibited there. Twenty-three of these photos are now travelling to various centres in Holland. On 6 January 2009 an exhibition will be opened in the South African Embassy in Amsterdam

The book was the result of Annalize’s decision to photograph “a few” people of Stanford for an exhibition as part of the village’s 150th anniversary celebrations in 2007. She wanted to portray the lives of people currently living in the village for future generations to enjoy. Annalize explains this in her introduction to the book:

”With its many well-preserved old cottages and Victorian houses, it is regarded as the second best preserved village in the Western Cape. It has a consistent, navigable river (sadly, slightly polluted these days), meandering along a mountain range with waterfalls cascading down its fynbos-clad slopes; it is close to the sea, it has clean, unpolluted air; there is a serenity in its bucolic landscapes teeming with birdlife; a peace and quiet, only occasionally shattered by the high-pitched whine of weed cutters, chain saws, buzz bikes and quad bikes. It is one of the few towns in South Africa that has retained its village green which in Stanford forms the heart of the village, a neutral meeting place for its people. It is a place where children can still safely play and ride their bicycles in its streets (that in the rainy season become more pothole than street). And it’s a place where one can sit on one’s stoep and watch the village come alive in the early morning or late afternoon with people walking their dogs (and lately also their pet pigs), greeting each other and often stopping for a chat.
Its population is growing. The sleepy little forgotten village has come alive. There are still a few ‘native’ Stanfordians, those born and bred here; many ‘in-comers’ who have retired here; and also those seeking an ‘alternative’ lifestyle and wanting to raise their children in a rural atmosphere – hopefully far from the crime and pollution and evils of big-city life. People from all over South Africa and the rest of the world settle here – white, and not so white, coloured, yellow, black and mixed. There are the landowners and the landless, the troublemakers and the peacemakers, the workers and the loafers, the learned and the illiterate, old people and young people, saints and sinners, some winners and some losers. All have their numerous and varied memories and stories, corporate and individual, that needed to be told.
In its humanity Stanford is an archetype of many other villages and small towns in the world – it has even had a few suicides and murders; and there are many skeletons in cupboards which preferably should be left covered and locked up between the moth-eaten remnants of the past; also, undoubtedly much futile keeping up of appearances, because in Stanford nothing stays a secret for long.

“Yet, there is an indefinable but tangible difference, an otherness, in Stanford. Some call it an electricity, a vibe, an atmosphere. It has been said that Stanford chooses you and not the other way round. Is it so strange then that people feel they have been inexplicably drawn, called or sent here, and they either love or hate it here? It is this otherness of Stanford and the amazing diversity of its people that inspired this book and to whom it is dedicated – all the men, women and children of Stanford over all the ages and of all colours, races and creeds.
After a visit to Stanford and her grandparents Jack and Jeannette Hutton in 2004, Frances Kershaw, then twelve years old, wrote and gave them the following poem:

a heart without memories is a cold heart
a heart without love is a stone
a heart that carries selfishness only
is a heart that has no home

a heart that carries memories
that carries love alone
a heart that possesses love for another
is a heart that has many homes

“This is Stanford, the place where donkeys become human (Stênfird, die plek waar donkies mens wird), as the old people used to say. A village and its people, one big heart that is home to many, a huge bosom nursing its people unto maturity.”

Annalize received a surprise visit from a German couple recently – they spotted her book at “The Retreat at Groenfontein” near Calitzdorp and were “captivated”. They wanted to meet her and to know how she came on the idea, as they had launched a similar project for the 850th birthday of their own town, Lüchow, in Germany. Lüchow’s book however, contains only photos – 2 500 of them – and this “photo-album” weighs a hefty three and a half kilograms! The Lüchowers were for their part inspired by the village of Fermignano in central Italy, where a friend of theirs, Dirk Roggan, saw a similar book about the residents of that town, published for their more-than-2000-year-old town’s millenium celebrations.

As Annalize already has an exhibition scheduled for 28 January at the Art.B Galery in Bellville, a branch of the South African Association of Arts, they have now decided to have a combined exhibition of the three villages, Stanford, Fermignano and Lüchow, with 20-25 photos from each village. There is great excitement all over! The possibilities of such an exhibition are endless. “There might be other towns in the world that have embarked on similar projects and we can only wait and watch it grow, perhaps something akin to The Family of Man, the exhibition created by Edward Steichen for the Museum of Modern Art in New York in the 1950’s.”

Annalize’s dream of showing God in every human to the community and the world, of getting to know one another by name, looking at our fellow humans with new eyes, hopefully, will result in communities living together in a new way. A remark from one coloured woman and her daughter, who feature in the book, bears witness to this dream: “It is as if the white people are seeing us for the first time as people.”

Perhaps the book and the subsequent exhibitions are small glimpses of heaven on earth, of how it can be.
 

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